In view of the current situation, we want to give you a brief insight into the precautions and safety measures we are taking in reaction to the Covid-19 virus.

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ARRI Media is part of the Netflix Post Partner Program (NP3)

The latest film by producer Tom Zickler (“Head Full of Honey”) and director Martin Schreier (“Unsere Zeit ist jetzt”/“Our Time is Now”) “Traumfabrik” hit German theaters on the 4th of July, 2019. This drama takes place in the 1960s and is about a film extra and a dancer who meet and fall in love at the Babelsberg film studios but are then separated when the Berlin Wall is erected.

Check out our brand new Reels.

-> http://www.arrimedia.de/global/showreels/

Nuria Gómez Garrido has joined the VFX department of ARRI Media as a VFX Producer & Sales Manager. In this newly created double function she is the contact for customers in all matters pertaining to VFX, title design, VFX set supervision, 3D animation and compositing. She is enhancing the proven team around Michael Koch, Head of VFX, and Jürgen Schopper, Creative Director VFX.
After studying film direction at Munich's Hochschule für Fernsehen und Film (HFF) and gathering experience as a film producer, Nuria Gómez Garrido was previously employed at ARRI Media in Post Production Sales.

On Marcus H. Rosenmueller’s new feature film “Trautmann” ARRI was involved in various steps of the project: as co-producer, camera rental, and during the post-production. In an interview, the director talks about the collaboration and their challenges in visual effects and color grading.

Netflix and ZDFneo are now airing the high-end crime series “Parfum.” This Constantin Film production was shot with equipment from ARRI Rental and co- and post-produced by ARRI Media. A look behind the scenes.

As planned, Renate Scheliga is now taking on the position of Head of Cinema Distribution & Mastering, replacing Martin Schwertführer, who has been preparing her for this responsibility since she joined ARRI Media, and who is going into retirement.

Constantin Film's new murder mystery comedy SAUERKRAUTKOMA was shot using camera and lighting equipment from ARRI Rental. The post-production was also done at ARRI Media in Munich.

Karajan Cinema Classics bring concert films of the renowned conductor Herbert von Karajan to the cinema in a sound quality never heard before. ARRI Media took care of the entire audio processing in Dolby Atmos, and other services.

ARRI Media's global distribution reports numerous sales of Oliver Kienle's DIE VIERHÄNDIGE (FOUR HANDS) at the European Film Market, and great interest in this German thriller from around the world.

We think 25 years of title design is reason enough for an anniversary reel. Here it is!

The first German Netflix Original series DARK was on behalf of Wiedemann & Berg postproduced by ARRI Media after being shot with ALEXA 65 and Ultra-Prime lenses and lit with SkyPanels from ARRI Rental. Postproduction supervisor Sven Nuri talked about his work.

The Passion for Lighting

ARRI presents wide-ranging special events at the 67th Berlin International Film Festival, as well as co-partnering the Berlinale Talents initiative.

WISHING YOU A HAPPY HOLIDAY SEASON...

Director Andreas Dresen discusses Dolby Atmos, Dolby Vision and his collaboration with ARRI on Constantin Film’s version of the classic German children’s book THE LEGEND OF TIMM TYLER OR THE BOY WHO SOLD HIS LAUGHTER, which hits movie theaters in February 2017.

Andrei Konchalovsky’s film PARADISE, which was supported by ARRI Rental and ARRI Media, wins multiple awards at the Venice International Film Festival and has been selected as Russian submission for the 2017 Academy Awards.

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